PROGRAM

Woodcutters

  • Adaption, Stage Design, Lighting and Direction by: Krystian LUPA
  • Photo:Natalia Kabanow

Master of the European theater world Krystian Lupa's new work sets foot in Japan at last! Woodcutters, originally a novel based on true events by Thomas Bernhard, which promoted a lawsuit upon its publication in 1984, was adapted for the stage in 2014. The scene opens on a post-funeral “artistic dinner” following the suicide of an actress. What will be revealed by these artists, gathered to remember their old friend? Throughout an intense four hours and twenty minutes, Lupa's Woodcutters sounds the alarm on the current state of art and society, creating waves not only in Poland but across the whole world.

Information

Venue
Tokyo Metropolitan Theatre (Playhouse)
Dates
  • 10.21 (Fri) 16:00 ●
  • 10.22 (Sat) 16:00 ○
  • 10.23 (Sun) 13:00 ●
  • ● Pre-show talk (Japanese only) Open only to ticket holders for the performance on the same day
  • ○ Special pre-show talk by the director Open to all (no ticket required)
Time
260min. (with 20 minute intermission)
Language
Performed in Polish with Japanese surtitles
WebSite
http://www.festival-tokyo.jp/16/en/program/woodcutters/
Type
Theater

Ticket

All seats reserved Advance: ¥5,500 / Day: ¥6,000 / Other tickets available

Cast / Staff

Adapted, Stage Design, Lighting and Directed by Krystian Lupa
Based on the novel by Thomas Bernhard
Produced by Polski Theatre in Wrocław
Special cooperation from Instytut Polski w Tokio, Propel Performing Arts & Media Co., Ltd.
Endorsed by Embassy of the Republic of Poland, Austrian Embassy Tokyo, Austrian Cultural Forum Tokyo
Co-presented by Culture.pl
Presented by Festival/Tokyo

Artist Profile

Krystian Lupa

Director, Stage Designer, Writer

Born in 1943, Krystian Lupa is a director and writer who also designs scenography and lighting. He studied physics, painting, graphic design, and stage directing, and made his debut as a director in 1976 with Mro?ekʼs “The Slaughterhouse”. He has enjoyed a long relationship with the Stary Theatre in Krakow since 1980, where he started to focus on adapting and directing the work of Russian, German and Austrian writers. He has had particular success with adapting the plays and novels of Thomas Bernhard, long considered difficult to stage, such as “Immanuel Kant”, “The Lime Works”, “Extinction” and “Heldenplatz”. Recent major work includes “Factory 2”, “Persona. Marilyn”, and “Waiting Room.0”. He is current working with Polski Theatre in Wrocław on a stage adaptation of Franz Kafkaʼs “The Trial”.

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